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In the 10s Germany was a centre for modern art and forward thinking architecture. Art styles and schools such as cubism and Dada developed in Germany, and schools of excellent architecture such as the Bauhaus school developed in this liberal and free thinking period. However this all changed in1 due to the rise to power of the Nazis. This essay will examine the effect that the Nazi regime had upon the styles of art and architecture in Germany during their rule.
The Nazis believed that art and architecture would be an important factor in the large propaganda operation they planned to operate. Once Nazis came to power they took control of society and began to spread their influence to many different art forms. These included theatre, architecture, fine art, sculpture and photography.
Soon after the Nazis came to power they began to exert their influence over art forcing their preferred styles to be adopted. The preferred styles chosen by the Nazis were based on Hitlers taste. Hitler saw himself as an art connoisseur and an architecture expert. This was due to his background and everlasting wish to become a professional architect.
This exertion of influence by the Nazis and the mass book burning ordered by propaganda minister Josef Goebbels in 1 served as a warning to many artists that their work would not be welcome in the new Germany. This led to a mass exodus of artistic talent from Germany to many other countries such as France and the USA. In was in this way that Germany was culturally purged of all but a few talented artists who specialised in the styles of art which were preferred by the Nazis left.
After the book burning the Nazis next step toward changing Germanys art was to cleanse all of her art galleries of any art which was not to the Nazis liking. The styles of art disliked by the Nazis were modern art because they believed that they could not be liked by the masses because they had no clear message. The Nazis also believed that modern art was foreign. Art which was disliked by the Nazis, was referred to as degenerate and decadent.
Soon after the Nazis came to power they created a Reich Chamber of Art. This had to approve all artists before they could do any work within Germany. They also had the power to forbid artists from teaching, exhibiting and painting at all. These powers were enforced by the Gestapo who carried out random checks on artists.
The Nazis were very clear on which styles of art they liked. These were the classical styles copied from the ancient Romans and the ancient Greeks. The Nazis also favoured Renaissance art because it projected the same messages as those of the Greeks and Romans. The reason that these styles were preferred was that they seemed to reflect a traditional period of great and strong empires. The creation of a strong and mighty empire containing the whole of Europe like that created by the Romans was something, which the Nazis were striving towards. Usually however they Nazis were not satisfied with the pieces from the Greco-Roman era and sought to exaggerate them, sometimes to ludicrous extremes.
Notable artists and pieces included Thoraks sculptures destined for the pediment of the Nazi party headquarters. The male figures in this piece are, with most German art from this period strong, muscular, masculine and representative of the ideal Aryan form. As with most art of this type the figures are nude this is to show their ideal forms. The overall scale of this piece was massive to reflect the supposed grandeur and prestige of the Nazi regime
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