Thursday, February 13, 2020

Marvel's To his coy mistress

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In To His Coy Mistress, Andrew Marvell presents a speaker who appeals to his love through persuasion using an appeal to reason as his main tool. By using different methods of appeal, the speaker hopes to win his mistress love. From the title, one can see that the speaker is a man addressing a female. The use of the word coy shows the reader that this woman is shy but in an enticing way, she is almost intentionally leading him on.


The overall scheme of this poem follows an appeal to reason, as proven by the first lines of each of the three stanzas. The poem begins with, Had we but world enough and time, which sets up an argument in which the speaker says what he would do if time permitted. It continues in the second stanza with the first word, But, which indicates a problem with the speakers initial thoughts. The But begins a stanza in which the speaker introduces the idea that one does not live forever. There isn't enough time to court because death is near and then passion will have been wasted. However, by starting the final stanza with, Now therefore, the speaker gives a solution to the problem he raised in the previous stanza. The method by which one introduces an idea, finds a flaw in it, and then finds a solution to the problem follows a chain of logic and appeals to a persons reason.


In the first stanza, the speaker adopts a tone of praise and affection. He professes his love for his mistress by saying he would love her from times beginning to times end (7-10). The speakers love should grow vaster than empires (11-1) and he would adore her for thousands of years (1-18). He compliments his mistress beauty and soul by saying that she deserves thousands of years of praise for her body and heart (1-0). He professes his adoration by telling her that his love spans from the beginning of time, before the Flood (8), to the end of time, Till the conversion of the Jews (10). His praise is not altogether sincere because although he pretends to want her for who she is, he just wants her body. His flattery is, in my opinion, an exaggeration.


In the second stanza, the speaker's tone is darker and less flattering and he uses images associated with death like marble vault, worms, dust, ashes, and graves. These words serve to emphasize the point that one will inevitably die and serve to perhaps frighten the mistress. He tries to make the point that only through death, which gets closer every second "Time's winged chariot hurrying near", will his love disappear and that only the worms will enjoy his mistress (7) company when she dies.


In the third stanza he offers a plan by which the two should live, knowing that one does not live forever. The speaker wants to live with his mistress while they are still youthful (-4) and passionate like amorous birds of prey (8). He wants the two of them to make the most of their lives together (4-46) and refusal of his love does not make sense because their passion will mean nothing in death, a logical reason. In the final stanza, the speakers tone changes again. This time the man speaks with a rushed tone, as though attempting to get in a final argument before time runs out, or death catches him. The main indication of this rushed tone lies in the punctuation, which is very scarce. Also, the third stanza contains words associated with action and motion, like transpires, fires, sport, devour, power, strength, and run. This echoes the fact that he feels they must take action with their romance.


In conclusion, Marvells poem incorporates the three appeals by creating a situation where a man attempts to persuade his mistress into spending her life with him. Overall, the speaker appeals to reason by loving each other, they may not stop time and live forever as lovers, but they can make it seem that way by filling their lives with love and happiness.


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