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By the end of the first chapter of Conrads Heart of Darkness we have a clear view of Marlows genuine character. Without representing his middle-class (07), he has an independent nature (10) and he is bravely after adventure "to face the darkness" (07). Moreover, he is an existential thinker where he sees in the "sea…the mistress of his existence" (07) a chance to contemplate on life and introspect (6). Being an ardent supporter of honesty (4) and sharp minded to see in the foundations and reality of matters (), Marlow seeks "the meaning of an episode" (07). These characteristics add to his criticism against slavery that is framed in the margin of civilizing the natives (0). Marlow realizes the tortures and the misery of the native slaves, who contrary to the French does not view them as "enemies" (16), in short time from his arrival to the "heart of darkness", a place that he describes in great detail with a sense of awe (1). Finally, Marlow is ironic and critical towards the exploiters by pointing on the contradiction between their state of being and that of the natives, where the firsts would not see "the great demoralization of the land (men included I would say)…(but would)kept up…(their)appearance" (16-17) as the chief of the company did. Finally, Marlow is ironic and critical towards the exploiters by pointing on the contradiction between their state of being and that of the natives, where the firsts would not see "the great demoralization of the land (men included I would say)…(but would)kept up…(their)appearance" (16-17) as the chief of the company did.
Finally, Marlow is ironic and critical towards the exploiters by pointing on the contradiction between their state of being and that of the natives, where the firsts would not see "the great demoralization of the land (men included I would say)…(but would)kept up…(their)appearance" (16-17) as the chief of the company did.
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