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Margaret Atwood is inarguably the most prominent Canadian novelist. Her works have been received well not only in Canada, but in Europe, America and India too. Starting first as a poet I 160s she has to her credit half a dozen novels and also the first authentic book of criticism on Canadian literature.
Not much criticism has appeared on Atwood, and whatever criticism there is, suggests that she has either been branded as a pure and simple feminist writer or a robust nationalist writer. Though not denying the fact that her feminist concerns are visible in almost all her works, it will be underestimitating her if one read her works purely from a feminist angle. Similarly despite her effort to find in authentic Canadian voice in her writings, her worksany great work for that matter- is more than only nationalist.
The present researcher feels that Atwood's work is marked by a series of binary oppositions like self-other, male-female, nature-culture, art-life. The dualism appear again and again not only in her collections of poetry one interestingly titled Double Perephone but also in her novels forming a kind of continuum. Thus Atwood's The Edible Woman very subtly makes an analysis of binary opposition of Masculine/Feminine. Her Lady Oracle explores the art-life dichotomy. And in her most famous work Surfacing she is faced with some seemingly irreconcilable dualities of life like death-rebirth, past-present and nature-society. In fact Atwood seems so fond of these oppositions that she sometimes makes use of homologies while talking about some issues. Thus she sees a kind of similarity between the status of Canada and of Woman. More such homologies can be encountered in her writings.
The present researcher proposes to study binary oppositions in Atwood's writings with the assumption that they often get replicated at different level in a system. Hence Atwood's critical treatment of some of the most famous binary oppositions like man-woman, nature-culture will suggest that some of world's most tenaciously held beliefs are just constructs, created to suit a particular sex, class or race.
The researcher plans to make use of some contemporary theories in this study, especially the insights developed by structuralist critics.
Following is tentative chapter division of the proposed Ph.D. thesis titled "Forms of Binarism in the Novels of Margaret Atwood".
Chapter-I Introduction Literary and cultural background
Chapter-II Binary Opposites A continuum between Atwood's poetry and her fiction.
Chapter-III Duality of Self and Other.
Chapter-IV Binary Analysis of male-female relations.
Chapter-V Nature and Culture in Atwood's novels.
Chapter-VI Art and Life in the Novels of Atwood.
Chapter-V
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